<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Anger on P.F. Bardo — Clandestine Archives</title><link>https://pfbardo.toasa.net/en/tags/anger/</link><description>Recent content in Anger on P.F. Bardo — Clandestine Archives</description><generator>Hugo</generator><language>en</language><copyright>CC BY-SA 4.0 — P.F. Bardo</copyright><lastBuildDate>Wed, 22 Oct 2025 00:00:00 +0000</lastBuildDate><atom:link href="https://pfbardo.toasa.net/en/tags/anger/index.xml" rel="self" type="application/rss+xml"/><item><title>La Haine, twenty years after the concrete</title><link>https://pfbardo.toasa.net/en/critiques/la-haine-vingt-ans-apres/</link><pubDate>Wed, 22 Oct 2025 00:00:00 +0000</pubDate><guid>https://pfbardo.toasa.net/en/critiques/la-haine-vingt-ans-apres/</guid><description>&lt;p&gt;You rewatch &lt;em&gt;La Haine&lt;/em&gt; and nothing has changed.&lt;/p&gt;
&lt;p&gt;No — it&amp;rsquo;s worse. Everything has changed, but in the wrong direction. Kassovitz&amp;rsquo;s film, in 1995, had the brutality of an observation. Thirty years later, the observation has become a fulfilled prophecy, and the prophecy has become daily scenery.&lt;/p&gt;</description></item></channel></rss>