<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Détournement on P.F. Bardo — Clandestine Archives</title><link>https://pfbardo.toasa.net/en/tags/d%C3%A9tournement/</link><description>Recent content in Détournement on P.F. Bardo — Clandestine Archives</description><generator>Hugo</generator><language>en</language><copyright>CC BY-SA 4.0 — P.F. Bardo</copyright><lastBuildDate>Wed, 01 Oct 2025 00:00:00 +0000</lastBuildDate><atom:link href="https://pfbardo.toasa.net/en/tags/d%C3%A9tournement/index.xml" rel="self" type="application/rss+xml"/><item><title>Collage No. 1 — Permanent spectacle</title><link>https://pfbardo.toasa.net/en/images/collage-n1-spectacle-permanent/</link><pubDate>Wed, 01 Oct 2025 00:00:00 +0000</pubDate><guid>https://pfbardo.toasa.net/en/images/collage-n1-spectacle-permanent/</guid><description>&lt;p&gt;Materials: advertising screenshots, digitized newspaper fragments, degraded photocopy textures.&lt;/p&gt;
&lt;p&gt;This collage is a détournement exercise in the situationist sense — taking the images of spectacle and turning them against itself. The faces are erased because in spectacle, faces are merely surfaces. The texts are illegible because in spectacle, words are merely noise.&lt;/p&gt;</description></item></channel></rss>